Eudoxia Rug

2015 | Collaboration with Ferreira de Sá

Photography by Rui Manuel Vieira

Eudoxia Rug was designed by Ana Aragão and named after one of the invisible Cities of Italo Calvino. Hand-tufted by Ferreira de Sá (one of the oldest companies dedicated to traditional tapestry in Portugal), the drawing has given rise to a unique edition of rugs. 

“In Eudoxia, which spreads both upward and down, with winding alleys, steps, dead ends, hovels, a carpet is preserved in which you can observe the city’s true form. At first sight, nothing seems to resemble Eudoxia less than the design of that carpet, laid out in symmetrical motives whose patterns are repeated along straight and circular lines (…)”

Just like in Eudoxia, the artist has created a city to be seen from above, as if from the sky. All four sides may be the bottom or the top, creating a perspective rupture and bringing the “visitor” inside the rug, as if experiencing the vortex of Alice in Wonderland.

Via Utopia

2016 | Glass sculpture commissioned by Jofebar

Photography by Rui Vieira

The pretext was to think about the future. The result: an impossible promenade through the ruins of the present. More than the tempting fantastic vision of futuristic style, Via Utopia is a megalomaniac view of a schizophrenic present in permanent uncritical accumulation, and the realisation of the impossibility of the processing of this profusion of information by contemporary man.

Porto Barros Whine Bottle

2015 | Bottle labels for Porto Barros Port Whine

Challenged by Sogevinus, the artist created the labels for the 'Barros - Cidades de Portugal' collection, a way for the brand to strengthen its presence as an ambassador for Portugal and Portuguese talent. The cities of Portugal are Aveiro, Coimbra, Porto and Lisbon.

Homeland - News from Portugal

2014 | Developed for the Portuguese representation at the Venice Biennale of Architecture.

Three illustrations developed for the Portuguese representation of architecture in the Venice Biennale of 2014, responding to Rem Koolhaas’s main theme - Fundamentals - Absorbing Modernity: 1914-2014.

The project, with curatorship of the architect Pedro Campos Costa, consisted in the distribution of a newspaper entitled Homeland - News from Portugal with news about the architectonic, social and economic panorama of the country throughout the last 100 years.